Arhiva

< 2026 >
1
2
3
4
5
6
7
8
9
10
11
12

 One Battle After Another

This slam-dunk Thomas Pynchon adaptation about a burned-out ex-revolutionary (a career-best Leonardo DiCaprio) trying to reconnect with his teen daughter (Chase Infiniti) isn’t the best movie of 2025 because it’s the most topical or politically urgent. Sure, it’s a film that plays out on a razor edge between slapstick comedy and genuine pathos to meet the problems of the moment head-on, proving PTA is as attuned to the here and now as any working filmmaker. But “One Battle” only got Film Twitter this fired up because it never feels like you’re sitting through a lecture, but rather, in the hands of a generational storyteller at the peak of his powers, clearly emptying the clip to take you on a giddy, all-stops-out joyride that leaves you flabbergasted and catching your breath on the way out.

Marty Supreme

After breathing new life into the once-stagnant career of Robert Pattinson by shattering his pretty-boy mold with “Good Time”, writer-director Josh Safdie hands trendy Gen-Z heartthrob Timothée Chalamet the role he was born to play as Marty Mauser. A 1950s Lower East Side shoe salesman with big dreams and an even bigger chip on his shoulder, Marty will stop at nothing to try to make his name in the world of ping-pong and chase the glory he feels entitled to.

No Other Choice

No one’s doing it like Park Chan-wook, so calling his latest one of the year’s standout releases hardly qualifies as a scorching hot take. What the South Korean director has captured here isn’t just a mordant, class-conscious takedown of late capitalism à la “Parasite” (a cursory reading Western critics in particular seem contractually obligated to make that somehow forgets Park got there first in 2002 with “Sympathy for Mr. Vengeance”). Even more so, “No Other Choice” is a dazzling, borderline radical experiment in style that lets Park go haywire and pull every formal trick up his sleeve (those compositions! Those cuts! Those cross dissolves!).

 

Ponajbolji film 2025. je:

 One Battle After Another

This slam-dunk Thomas Pynchon adaptation about a burned-out ex-revolutionary (a career-best Leonardo DiCaprio) trying to reconnect with his teen daughter (Chase Infiniti) isn’t the best movie of 2025 because it’s the most topical or politically urgent. Sure, it’s a film that plays out on a razor edge between slapstick comedy and genuine pathos to meet the problems of the moment head-on, proving PTA is as attuned to the here and now as any working filmmaker. But “One Battle” only got Film Twitter this fired up because it never feels like you’re sitting through a lecture, but rather, in the hands of a generational storyteller at the peak of his powers, clearly emptying the clip to take you on a giddy, all-stops-out joyride that leaves you flabbergasted and catching your breath on the way out.

Marty Supreme

After breathing new life into the once-stagnant career of Robert Pattinson by shattering his pretty-boy mold with “Good Time”, writer-director Josh Safdie hands trendy Gen-Z heartthrob Timothée Chalamet the role he was born to play as Marty Mauser. A 1950s Lower East Side shoe salesman with big dreams and an even bigger chip on his shoulder, Marty will stop at nothing to try to make his name in the world of ping-pong and chase the glory he feels entitled to.

No Other Choice

No one’s doing it like Park Chan-wook, so calling his latest one of the year’s standout releases hardly qualifies as a scorching hot take. What the South Korean director has captured here isn’t just a mordant, class-conscious takedown of late capitalism à la “Parasite” (a cursory reading Western critics in particular seem contractually obligated to make that somehow forgets Park got there first in 2002 with “Sympathy for Mr. Vengeance”). Even more so, “No Other Choice” is a dazzling, borderline radical experiment in style that lets Park go haywire and pull every formal trick up his sleeve (those compositions! Those cuts! Those cross dissolves!).

 

© 2026 PIPSCHIPS&VIDEOCLIPS